By Scott Allen Nollen
As of the most well-liked entertainers of the mid-century movie undefined, comedian greats Bud Abbott and Lou Costello provided an important balm to the yankee public following the sorrows of the good melancholy and through the trauma of global conflict II. this is often the 1st publication to concentration intimately at the immensely well known wartime movies of Abbott and Costello, discussing the creation, content material, and reception of 18 motion pictures in the context of wartime occasions at the domestic entrance and in a foreign country. the flicks coated contain the carrier comedies greenback Privates, within the military, and hold 'Em Flying; extra mainstream comedian reduction motion pictures resembling Pardon My Sarong and Who performed It?; and post-war experiments comparable to Little gigantic and The Time in their Lives. greater than a hundred and twenty stills and foyer playing cards from the author's own assortment illustrate the textual content, together with many exhibiting outtakes or deleted scenes.
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Extra info for Abbott and Costello on the Home Front: A Critical Study of the Wartime Films
He ﬁrst tries to perform the chore from the front of the animal, his head thrust between its legs, then switches to manipulating its tail like a water pump. ” A life-size mannequin of a Native American chief is placed in Willoughby’s room. Duke assures him not to be afraid, insisting that the “Indian” is made of wood. When Rainwater arrives to take the dummy’s place, Willoughby is harried by its lifelike gestures, which, of course, are not witnessed by Duke. In a variation on the team’s classic “Crazy House” burlesque routine, Willoughby dreams he’s a patient at “Dr.
In a saddle atop a wooden frame. ” “No,” Willoughby replies. “Well, you ought to get onto yourself,” advises Duke. ” “No,” she responds. ” says Willoughby. ” Anne injures her leg during her valiant wrestling match with the steer, losing out on a $10,000 cash prize. Bob gives her a check made out to “Cash,” but she tosses it away. Willoughby then ﬁnds it, but tears it to shreds, thinking only the person named “Cash” may claim it. Anne decides to return to her father’s dude ranch in Arizona, and is followed by Bob, while Willoughby and Duke attempt to hide out from their angry boss (a repeat of the same shtick at the carnival in Keep ’Em Flying).
He is frightened by the hidden assailant, and Chuck tells him that it’s only the wind. ” Ferdie asks. Cinematographer Elwood Bredell contributed some atmospheric images to the ﬁlm, including a stunning expressionistic shot, combining depth of focus with lighting that casts elongated shadows down the hallway as the intrepid group explores the upper ﬂoor. ” Thinking the comment was directed at him, Ferdie unleashes a wolf whistle (this was Costello’s most oft-used response to many situations). For the ﬁrst of many times in the Abbott and Costello ﬁlms, a dead body suddenly turns up as Charlie Smith’s bound and gagged corpse falls out from behind some curtains onto the ﬂoor.
Abbott and Costello on the Home Front: A Critical Study of the Wartime Films by Scott Allen Nollen